This volume is a translated and edited collection of studies on the Shi ji (Records of the historian) by Sima Qian, authored by the prestigious Japanese sinologist Miyazaki Ichisada. Providing a pathbreaking analysis of the structure and formation of the Shi ji, it serves not only as an excellent introduction to Sima Qian’s masterpiece but also offers historiographical and methodological insights that will stimulate further debate and research.
In this volume, Miyazaki presents fascinating evidence of the influence of narrative fiction and drama in Sima Qian’s recreation of the entire length and breadth of Chinese history right up to his own time. By establishing a foundational model for writing comprehensive histories in China, Sima Qian’s work is essential for understanding the subsequent tradition of historical writing. This volume offers readers valuable insights into how Sima Qian constructed his seminal work.
Full Title: Literature and History in the Shi ji of Sima Qian
Author: Miyazaki Ichisada
Translator: Joshua A. Fogel
ISBN: 9789882373280
Binding: Hardcover
Language: English
Page: 308
Dimensions: 229 x 152 mm
**About the Author**
**Miyazaki Ichisada**(1901–1995) was a distinguished Japanese historian and a leading scholar of the Kyoto School. He was particularly renowned for developing Naitō Konan’s thesis on the periodization of Chinese history, positing the beginning of modernity in the transition for late Tang dynasty through Northern Song. His contributions to Sinology were highly recognized with the Japan Academy Prize (1958), the “Prix Stanislas Julien” (1978), and the medal of “Persons of Cultural Merit” (1989). His representative works include Tōyōteki kinsei (East Asian modernity, 1950), Kyūhin kanjinhō no kenkyū (Studies of the regulations of the Nine Ranks bureaucratic system, 1956), and Kakyo: Chūgoku no shaken jigoku (The civil examination system: China’s examination hell, 1963).
**About the Translator**
Joshua A. Fogel was Canada Research Chair and Professor of modern Chinese history at York University. Trained initially in Chinese history, he developed an abiding interest in Japanese history and has published many important works on Japanese historiography and Sino-Japanese relations. His first major study was Politics and Sinology: The Case of Naitō Konan (1866–1934) (1984). His recently translated work, How the “Red Star” Rose: Edgar Snow and Early Images of Mao Zedong, was published by The Chinese University of Hong Kong Press in 2022.
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A monument of Japanese scholarship on the Shi ji, Prof. Miyazaki Ichisada’s work is the result of decades of meticulous research and original analysis by one of the giants of modern Japanese Sinology. Presented for the first time to readers of English through Prof. Joshua A. Fogel’s fine and learned translation, the essays collected in this book not only provide compelling testimony to the groundbreaking quality of modern Japanese scholarship on the Shi ji but also offer a magisterial contribution to the growing body of new studies in English on Sima Qian’s work as both history and literature.
—**Martin Kern**, Joanna and Greg ’84 P13 P18 Zeluck Professor in Asian Studies, Princeton University
This translation of Prof. Miyazaki Ichisada’s essays on the Shi ji is one of the most important studies of that history, while also providing insights into Japanese Sinology of the late 20th century. He goes beyond modern Chinese and Western approaches to the Shi ji under the aegis of his theories about the rise of city states and the appearance of free men, arguing as that for Sima Qian the idea of a free man who dared to express himself regardless of the consequences was a personal ideal that shaped his view of his predecessors and their history.
—**William H. Nienhauser, Jr.**, Halls-Bascom Professor of Classical Chinese Literature, University of Wisconsin-Madison
Miyazaki Ichisada, a required reading in graduate school, is a pleasure to meet again through his enlightening essays on the Shi ji, which draws attention to several neglected features of China’s greatest history: its innovative format, its likely inspiration from oral traditions of urban performance, and its cross-cultural significance. This translation of Miyazaki’s work is bound to intrigue those new to the China field as well as seasoned professionals.
—**Michael Nylan**, Professor, Jane K. Sather History Chair, University of California at Berkeley