书籍_窑边兄弟-双新玻璃陶瓷展39999-0000148

窑边兄弟--双新玻璃陶瓷艺术劲展 内容简介： 本次新北市与新竹市的“双新”艺术交流，玻璃艺术从技法分类出发，看玻璃艺术家的创作技巧与工艺素质，陶瓷艺术则以釉色表现为观察焦点，看陶艺家运用釉药所开发的个人创作新天地。感谢新竹市文化局玻璃工艺博物馆的协助，以及萧铭芚教授与刘镇洲教授的研究，让我们在展览中，邂逅浴火凤凰的相遇，仔细品味陶瓷的釉彩与玻璃的光影之美，欣赏窑边兄弟之间相似又迥异的对话。 展览简介Introduction 陶瓷与玻璃相遇 玻璃与陶瓷自古以来都是人类运用窑火制造的生活器皿，并随着百年来台湾工业发展成为地方特色产业，而让新北市发展出陶瓷重镇、新竹市成为玻璃之都，并于1980年代以来，随着台湾产业发展的演变，显现类似的产业转型处境。近年来，随着时代趋势的演变，传统产业转型结合设计等概念，打开了文化创意产业发展，创造出各式工艺与艺术作品，让玻璃与陶瓷不仅是生活小帮手，也成为艺术表现的一大领域。 玻璃与陶瓷这对窑边兄弟，在材料技法与功能上有若即若离的关系。从材料科学的角度来说，玻璃属于广义的陶瓷材料，而陶瓷表面的釉则属于玻璃质。一般陶瓷都是不透明的材料，经塑形、干燥、窑烧而成，而玻璃的主要成分是二氧化硅(硅砂)，材质透明是最大的特点，相较于陶瓷成形为常温下操作，玻璃塑形多在高温下进行。陶瓷材料经高温烧结后，具备坚硬、耐磨、耐高温、抗腐蚀等特性，优异的光、热、电磁功能，让陶瓷与玻璃在当今产业与艺术领域中都蕴含无限的发展潜能。陶瓷的表现领域很广，而釉就像是陶的玻璃外衣，也是陶瓷创作的一大重点。相对的，玻璃色彩的透明、半透明、不透明，以及晶莹剔透、光鲜亮丽等特性，呈现出不同于陶瓷的美。 本展览的玻璃部份从技法的分类赏析出发，认识玻璃艺术的多元表现，看玻璃艺术家如何以精湛的创作技巧与工艺素质，让玻璃作品不仅实用，也展现丰厚的人文艺术风采。陶瓷部份则以现代陶艺的釉彩表现为观察焦点，看陶艺工作者运用“釉彩”此玻璃元素，在现代艺术的启迪下，融合中西方的釉彩文化，走出令人赞叹的新天地。 感谢新竹市文化局玻璃工艺博物馆的协助，提供新竹等地玻璃艺术家作品，也感谢新北市等地陶瓷艺术家提供作品。国立清华大学艺术与设计学系教授兼系所主任萧铭芭以及国立台湾艺术大学工艺设计学系教授刘镇洲的精心研究，则让我们得以透过技法分类以及作品赏析，看出现代陶瓷与玻璃艺术之间相似又迥异的对话。 Ceramics Meet Glass Glass and ceramic vessels are both made with kilns. Over a century, these industries became regional specialties in Taiwan, as hubs of ceramics and glass production have developed in New Taipei City and Hsinchu City, respectively. As Taiwan's industries have transformed since the 198os, creative elements have been introduced into traditional industries, which began to thrive in cultural felds with new artistic assets. Now glass and ceramic vessels are useful everyday items as well as artistic media. With overlaps in materials, techniques, and functionalities, glass and ceramics are like brothers born of the kiln. From the perspective of material science, glass is a kind of ceramic material in the general sense, and the glaze on ceramic surfaces is a kind of glass. Ceramics are usually made from opaque materials that go through forming, drying, and fring processes. Glass is mostly characterized by its transparency. It is made from silicon oxide (quartz) and, unlike the room-temperature forming process for ceramics, formed at high temperatures, which is also required by the glazing process of ceramics. After fring, ceramic materials are hard and resistant to abrasion, heat, and corrosion. Its useful optical, thermal, and electromagnetic properties give them tremendous potential. Glaze is the glassy skin for ceramics and a key dimension of creative expression in ceramic art. On the other hand, the transparency, translucence, opaqueness, and reflective as well as refractive properties present a different quality of beauty from ceramics. In the glass section of this exhibition, we explore the wide range of artistic expressions in glass, beginning with techniques, to see how glass artists create glass vessels both practical and culturally rich, with refned mastery. For the ceramics section, we focus on glazing expressions of modern ceramic art and explore how ceramic artists utilize the glassy element of glaze, inspired by modern art, to break new ground in merging Eastern and Western glazing styles. This exhibition is helped by Glass Museum of Hsinchu City, who provided us with glass art from Hsinchu and other places. We are also grateful for the ceramic artists of New Taipei City who offered their art. Moreover, we thank Professor Hsiao Ming-tun, Chair of National Tsing Hua University Department of Arts and Design and Professor Liou Chen-Chou of National Taiwan University of Arts Department of Crafts and Design, whose research gave us insight into the techniques of glass and ceramic arts, which enhanced our appreciation of the works and of the interesting relationship between glass and ceramics. 陈庭宣 出版日期：2017/03 出版单位：莺歌陶博馆 平装 400元