I started to make it as a traditional design style only for Gui.
My teacher in junior high school wanted only Gui, so it was a design idea that I could understand.
The intersection of the bottom chrysanthemum, which consists of eight petals that have blossomed to match the intersection under the Yarai, is aligned with the intersection of the eight petals that have been cut around with the traditional Yarai.
When you look into the round openwork, the bottom chrysanthemum becomes a virtual image due to the refraction of the light of the glass, and it is a work that appears to be double-emerged.
Although the dimensions are listed, please refer to the photos of the size you have in your hand.
I think it is reasonable to drink sake, hot sake, and high-class sake little by little.
I added a little originality, but it is a basic design that is basically composed of traditional patterns with the traditional pattern Yarai on the side.
The Kiriko of our workshop is polished using the traditional method of Edo Kiriko, "hand polishing", which maintains the strength of the glass and finishes it with high quality.
On the other hand, there are some things in the world that polish the glass while immersing it in an acid called "acid polishing" and melting the entire glass into pieces.
Acid-polished ones have the disadvantages of being easily scratched and the color may fade, but since the man-hours can be reduced and the price can be sold at a low price, sales will improve, so many workshops and writers perform acid-polishing. We are here.
Since the cut surface of our workshop is polished one by one, the original strength of the glass is not lost, and you can wash it with a detergent or scrubbing brush.
Please note that boiling water, microwave ovens and dishwashers cannot be used like any other glassware.
The handling method is explained in detail on the homepage of the workshop.